{"id":2841,"date":"2015-04-02T13:20:33","date_gmt":"2015-04-02T13:20:33","guid":{"rendered":"https:\/\/www.a-demeure.org\/production\/marie-ange-guilleminot\/"},"modified":"2022-09-26T16:42:57","modified_gmt":"2022-09-26T16:42:57","slug":"marie-ange-guilleminot-in-gaillac","status":"publish","type":"post","link":"https:\/\/www.a-demeure.org\/production\/en\/marie-ange-guilleminot-in-gaillac\/","title":{"rendered":"Marie-Ange Guilleminot in Gaillac"},"content":{"rendered":"<h1><strong><em>The Space Between!<\/em><\/strong><\/h1>\n<p>\u201cAn artist could invent a work for the children that we receive to introduce a minimum, vital, of disorder that provokes thought.\u201d The Medico Pyschological Centre for children and adolescents \u00ad\u2013 <u>independent of the hospital <\/u>\u2013 is an interface of social ties and the psyche, of the social and clinical subjects: A place of circulation and of interception of flux from the vast world, of suspension also&#8230;The waiting room appears as an intermediary space between the treatment itself and the outside world, officiating like these anti-chambers where one whispers before speaking. To think of a work for the CMPEA would be to allow children who are dealing with digital technology too soon and too much \u2013 often impoverishing thought \u2013 an unedited emotional and intellectual encounter.\u201d<\/p>\n<p><em>Washitsu<\/em> or <em>Cabin in Time <\/em><\/p>\n<p>Sculpture with dismountable architecture in wavy maple. Installed in the current waiting room, it compliments <em>Meuble-spirale <\/em>(Spiral Furniture)<em>. <\/em>Its minimal conception around the unit of a tatami (rush-covered straw mat forming a traditional Japanese\u00a0floor covering) creates a unique space for the child. It is based on the attentive observation of the Japonese <em>washitsu <\/em>tradition<em>, <\/em>from which the artist sought essential form, with a single module&#8230;.To preserve the spirit of the place \u00ad\u2013 <em>tokonomo<\/em> \u2013 or the space for art \u2013 <em>shoji<\/em> \u2013sliding doors in wood and Japanese paper reinforced with, here in felt, removable shutters.<\/p>\n<p><em>\u2026du meuble spirale au meuble infini\u2026<\/em>(&#8230;from spiral furniture to infinite furniture&#8230;)<\/p>\n<p>Placed in the reception area, the <em>Meuble-spirale<\/em> (Spiral Furniture) aims to transform and be placed freely in the CMPEA location. Both a piece of furniture and a sculpture, hexagonal in shape, it is made out of fourteen mobile elements with colourful sides, with multiple, playful uses: library, drawing table, little theatre. The work is open to appropriation by its users; it is an invitation to creativity.<\/p>\n<p><em>L\u2019objet-\u00e9talon<\/em> (Measuring Object)<\/p>\n<p>Similar to the <em>Meuble-spirale<\/em> at life-size scale, <em>L\u2019objet-\u00e9talon<\/em> is composed of fourteen autonomous elements. The idea of the scale is to be able to think with the object in your hands, of all sorts of combinations applicable to the furniture-sculpture. It is created with fourteen types of wood: refer to the colour chart for positioning the sides of the <em>Meuble-spirale <\/em>according to colour.<\/p>\n<p>Production<\/p>\n<p><em>Washitsu<\/em> or <em>Cabin in Time<\/em>: Yutaka Kawahara and Renaud Vergnais\u00a0 (carpenters), C\u00e9cile Feilchenfeldt and\u00a0G\u00e9raldine Odeyer<\/p>\n<p><em>\u2026du meuble spirale au meuble infini<\/em>: Jacques Vignon<br \/>\n<em>L\u2019objet-\u00e9talon<\/em>:\u00a0Patrick Belle<\/p>\n<p>Advice\/ coordination: Paule Gu\u00e9rin, Murielle Hladik, Sabine Laurent, George-Henry Ser<br \/>\nGames\/ spinning tops:\u00a0\u00a0Philippe Dyon<br \/>\nContribution to choice of books: Les Trois Ourses<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.a-demeure.org\/production\/wp-content\/uploads\/2017\/02\/dp-marie-ange-guilleminot-gaillac-.pdf\" target=\"_blank\" rel=\"noopener\"><u>Press folder, February 2017 \u2013 pdf<\/u><\/a><\/p>\n\n<p><strong>Patrons: CMPEA team, Gaillac &#8211; Karine Beziat, \u00c9ric Bousquet, Daniel Delbes, Sylvie Faure, Marie-Claude Garros, Sophie Mahenc, Fabienne Maviel, Marie-Jos\u00e9e Medale, Maria Puech-Maurel, Laurence Quercy, Pauline Ricard, Catherine Scarpulla, Sabine Vialettes, Vassiliki Xenoyanni<\/strong><\/p>\n<p><strong>Funding: Fondation de France, Daniel and Nina Carasso Foundation <\/strong><\/p>\n<p><strong>Fondation Bon Sauveur d\u2019Alby<\/strong><\/p>\n<p><strong>2017<\/strong><\/p>\n<p><strong>Credits: Marie-Ange Guilleminot<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Space Between! \u201cAn artist could invent a work for the children that we receive to introduce a minimum, vital, of disorder that provokes thought.\u201d The Medico Pyschological Centre for children and adolescents \u00ad\u2013 independent of the hospital \u2013 is an interface of social ties and the psyche, of the social and clinical subjects: A [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38,37,27],"tags":[],"class_list":["post-2841","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-occitanie","category-realisations-en","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/posts\/2841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/comments?post=2841"}],"version-history":[{"count":4,"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/posts\/2841\/revisions"}],"predecessor-version":[{"id":2850,"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/posts\/2841\/revisions\/2850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/media\/2842"}],"wp:attachment":[{"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/media?parent=2841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/categories?post=2841"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.a-demeure.org\/production\/en\/wp-json\/wp\/v2\/tags?post=2841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}